![]() And New York architect Billie Tsien, working with her partner Tod Williams and fabricator Stephen Iino, created three movable benches of California cedar recovered from the 2018 Camp Fire conflagration. Dutch designer Petra Blaisse layered sheets of gray and blue felt, laser cut with a pattern of abstracted jacaranda leaves, to create an eye-catching curtain for the theater. And liquid2solid, a curtain by Christina Kim that is embroidered with light-refracting thread, serves as a room divider in the upstairs gallery space. Truth and Beauty in Black, a felted-wool mural by Claudy Jongstra, hangs in the café, softening it visually and acoustically. Aside from incorporating pieces by such designers as George Nakashima, she and Sidner commissioned artists to create furniture and fixtures that are essentially additions to the museum’s collection. Photo © Nic Lehouxīut Luce didn’t try to design everything. She built a new 120-seat theater on an unused loading dock a simple concrete box with a terrace on its roof, it added another 2,000 square feet to the building.Ī workspace includes a carved opening around the original window and Nakashima tables and chairs. She also was able to increase the museum’s square footage from 41,000 to 54,000 by enclosing an atrium, taking over a neglected bell tower, and even reducing excessive wall depth. ![]() But after negotiating with the city’s Historical Resources Board, Luce was able to replace six blind arches on one facade with glass, increasing visibility from Balboa Park and inviting the public into the museum, which no longer charges for access to its ground level. And it also helped that a focus for Luce was to make the museum-until then a niche destination for folk art enthusiasts-more widely accessible to San Diego’s diverse population.īecause the building is within a historic district, altering its exterior was difficult. ![]() It no doubt helped that the architect, well-known in San Diego’s art and design worlds, promised to help raise money to pay for the renovation-and she did. ![]() Despite the increased difficulty and expense, the board gave Luce a green light. After that, he recounts, the team challenged the board to drop the idea of a dozen discrete projects in favor of a comprehensive renovation to transform how the museum functions and presents itself. Once hired, Luce and her team spent five months talking with the institution’s staff, “asking what was working, what wasn’t, and what each one’s dreams for the museum were,” says Sidner. Terraces bring visitors up close to the historic facades. ![]()
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